RADP / Pulse Nigeria

Motolani Alake

Motolani is the Managing Editor of Pulse. A trained Lawyer, who has worked in Law practice, humanitarian aid and corporate finance, he is a voice in - African - pop culture, entertainment, entertainment tech and sports. He is also a Liverpool fan.

Here are 7 Nigerian artists who started from the choir
The Ikeja bomb explosions 21 years ago changed these people's lives forever
Here is why we need a woman on a Naira note [Pulse Editor's Opinion]
Here is why ticket prices at Nigerian concerts are expensive [Pulse Explainer]
Jeffrey Uzoma Fidelis: My vision for Nollywood [Pulse Interview]
On his debut album, ‘The Villain I Never Was,’ Black Sherif is like ‘The Solitary Reaper’ [Pulse Album Review]
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Preye is poetic and philosophical on ‘Don’t Look Down!’ [Pulse EP Review]
Here is how Queen Elizabeth II almost never became Queen of England [Pulse Explainer]
Asake makes grand entrance with ‘Mr. Money With The Vibe’ [Pulse Album Review]
On ‘Life of A King (Aiye Oba)’ Skiibii's frenzied braggadocio shows a need to dig deeper
Dear Nigerian artists, it's time to get some media training [Pulse Editor's Opinion]
‘Journey of The Beats’ details the history of Nigerian music with vivid perspectives [Pulse Review]
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Ogranya expands his scope and gaze on 'Festival of The Sun' [Pulse EP Review]
A personal account into Bayanni EP [Pulse Review]
Court rejects joint application for accelerated hearing of Tempoe's copyright suit against Asa [Pulse Exclusive Report]
Music producer Tempoe takes Asa, P.Priime, others to court over copyright issues [Pulse Exclusive Report]
‘Boy Alone’ bares Omah Lay’s dicey relationship with fame and success [Pulse Album Review]
‘Love Damini’ is a product and a victim of Burna Boy’s ‘golden run’
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Falz's 'Bahd' had roll-out, strategy and marketing problems, not exactly a music problem [Pulse Editor's Opinion]
Afrobeats, The BackStory: Why Ayo Shonaiya’s documentary is important [Pulse Editor’s Comment]
‘Theta’ continues Brymo’s run of impressive albums, albeit with a different approach [Pulse Album Review]
Emi lo kan and City Boy: The PR strength of Tinubu’s campaign [Pulse Editor’s Opinion]
An outsider's view of how Kizz Daniel went from industry pariah to having Nigerian parents in a chokehold [Pulse Editor’s Opinion]
Like Kanye's MAGA moment, is Brymo having a SWAGA moment?
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Should Africa-based label services and distribution companies adapt their model? [Pulse Explainer]

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RADP / Pulse Nigeria

Motolani Alake

Here are 7 Nigerian artists who started from the choir

The Ikeja bomb explosions 21 years ago changed these people's lives forever

Here is why we need a woman on a Naira note [Pulse Editor's Opinion]

Here is why ticket prices at Nigerian concerts are expensive [Pulse Explainer]

Jeffrey Uzoma Fidelis: My vision for Nollywood [Pulse Interview]

On his debut album, ‘The Villain I Never Was,’ Black Sherif is like ‘The Solitary Reaper’ [Pulse Album Review]

Preye is poetic and philosophical on ‘Don’t Look Down!’ [Pulse EP Review]

Here is how Queen Elizabeth II almost never became Queen of England [Pulse Explainer]

Asake makes grand entrance with ‘Mr. Money With The Vibe’ [Pulse Album Review]

On ‘Life of A King (Aiye Oba)’ Skiibii's frenzied braggadocio shows a need to dig deeper

Dear Nigerian artists, it's time to get some media training [Pulse Editor's Opinion]

‘Journey of The Beats’ details the history of Nigerian music with vivid perspectives [Pulse Review]

Ogranya expands his scope and gaze on 'Festival of The Sun' [Pulse EP Review]

A personal account into Bayanni EP [Pulse Review]

Court rejects joint application for accelerated hearing of Tempoe's copyright suit against Asa [Pulse Exclusive Report]

Music producer Tempoe takes Asa, P.Priime, others to court over copyright issues [Pulse Exclusive Report]

‘Boy Alone’ bares Omah Lay’s dicey relationship with fame and success [Pulse Album Review]

‘Love Damini’ is a product and a victim of Burna Boy’s ‘golden run’

Falz's 'Bahd' had roll-out, strategy and marketing problems, not exactly a music problem [Pulse Editor's Opinion]

Afrobeats, The BackStory: Why Ayo Shonaiya’s documentary is important [Pulse Editor’s Comment]

‘Theta’ continues Brymo’s run of impressive albums, albeit with a different approach [Pulse Album Review]

Emi lo kan and City Boy: The PR strength of Tinubu’s campaign [Pulse Editor’s Opinion]

An outsider's view of how Kizz Daniel went from industry pariah to having Nigerian parents in a chokehold [Pulse Editor’s Opinion]

Like Kanye's MAGA moment, is Brymo having a SWAGA moment?

Should Africa-based label services and distribution companies adapt their model? [Pulse Explainer]

Join our Pulse Community!