Julián Álvarez seems to be in a constant state of flight, a perpetual chase where he is simultaneously the Minotaur and the prey, a spider both dead and alive, perhaps even Schrödinger's, trapped in the same labyrinth, as if within that sealed box.
He escaped once. Then Pep, who had lured him with promises of footballing glory and success to England at such a young age, disguised himself as Ariadne. Sympathetic to Álvarez's frustration, Guardiola helped him navigate the crossroads of the Etihad.
More than just accumulating money, trophies, and titles, which would come as a bonus, he yearned for self-expression. And he found it in Madrid. If Guardiola had placed a Viking's destructive power in front of him, General 'Cholo', his compatriot, positioned him at the forefront of the battalion. Yet, if playing time was once everything, it no longer sufficed. Form became crucial, silverware and reaching finals, fundamental. Only then did he realize the trap he'd fallen into, like so many before him, once again confined, unsure where to turn, amidst those identical, monotonous red and white walls. And of Ariadne, for whom he longed daily, there was no sign.
However, there's always a way to escape: through the mind. The dream of conquering another World Cup, another for Leo, for Diego, for Argentina. And the spider spun its thread to find itself. It's true we had to wait until the quarter-finals to see him in full force, lethal once more, but it was worth it. That shot brought down the Minotaur, and the spider on this side of the box is very much alive.
Julián knows he still needs to find his way out of the labyrinth. But there's a unique moment to savor completely. And a baby in the stands still waiting to be lulled to sleep.