I first heard about Chinelo Okparanta’s novel earlier this year and the title Under the Udala tree stayed with me, mostly because the Udala fruit is one of my favorite seasonal fruits. My home town also derived its name from the same tree so it holds some sort of sentimental value for me.

I then read the synopsis for the book and was blown away, so I desperately sought the novel until I found it online. I remember staying up all night to read the novel and when I finished I had to take a few hours to process all the various emotions I was feeling. Chinelo is clearly a star, one with a strong voice which she is not afraid to use.

I tracked down her collection of short stories Happiness like water as well and I ended up reaching out to her to answer a few questions which she graciously agreed to do, providing some insight into her work and finally ending the Jollof wars.

On why she took on the horror of the civil war without focusing on the war or its specifics

The setting of war was natural to the story I wanted to tell. My character was born about a decade before the Nigeria-Biafra civil war. The story starts during the Nigeria-Biafra civil war. It would have been unrealistic and unreasonable for me to write the novel without acknowledging that a war was going on during that time period, and that the war was in fact the impetus for my protagonist to be sent off. Many war stories are also love stories, so, no, I wasn't worried that people would be distracted by the war.

They should be distracted by it--to the point that it becomes more than just a distraction. After all, this is a novel about wars. Even after the civil war ends, the novel continues to speak to different forms of "war" within the Nigerian context: personal/internal "wars", "wars" amongst the tribes, "wars" between mothers and daughters, "war" against the LGBTQ community, etc.

As for the civil war in particular, the impact of the Nigeria-Biafra war is felt even today, decades later: Ethnic disputes and ethnic "othering" continue to this day. Unfortunately, tribalism is alive and well in Nigeria.

Sharp readers, or those aware of the more contemporary history of cultural relations in Nigeria, will catch the instances during which the novel speaks to these issues. They will also understand the ways in which the war exacerbated these issues.

On homosexuality and the Nigerian audience

We are human beings. Many human beings have sex. Some even enjoy it. It seems to me that many problems can be solved if we learn to talk openly, without shame, and of course, respectfully about sex. Particularly LGBTQ sex, which has been considered taboo for too long. There's a way in which transparency--which is also to say, visibility--renders topics and circumstances no longer taboo.

I considered how the book would be received, yes. Some of the stories in my collection were not well-received by Nigerians due to the stories' LGBTQ contents and due to the Nigerian community's strong anti-LGBTQ sentiments. I expected this would be true of the novel as well.

I know many people who have slammed the novel just based on its lesbian theme.

But I'm not so naive not to realize that many of those who most publicly condemn certain books are also those who most avidly flip through the pages in private, devouring with pleasure the contents of the story.

Telling stories of lesbians instead of gay men

I'm open to telling all sorts of gay stories--gay men and gay women, those a little bit gay and those a lot gay, gay happy and gay sad, etc.

Do you think religion is a good thing in our world today?

It seems to me that many of us like to be told what to do, how to act. Humans, by nature, seek out guidance. Furthermore, we like to believe in something, whether a supreme God or many gods or something more spiritual than godly. This is the reason for things like religion (this is also the reason for academic institutions and other organizations).

Where religion is concerned, it is good in the sense that it gives people something to believe in, a set of codes to live by. Without religion, we might be living in more of a jungle of a world--a far greater number of people roaming the world with no moral compass at all. But then there are those people who would argue that religion is the bane of human existence. Which, it seems to me, is also true.

Franklyne Ikediasor is partial to black coffee and a good African Novel. He lives in Portharcourt Nigeria where he spends his leisure time running, cycling or getting together with friends to share bouts of wine fuelled laughter.He tweets @ThatPortharcourtBoy

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